20 SepSo, What Does the Child Think?

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Many times, “wrongful death” is at the root cause of a lawsuit, but what happens in the case of a “wrongful birth” charge?

In West Palm Beach, Florida, a couple sued a doctor and an ultrasound technician for negligence. The two claimed that they would have aborted their son, who was born with no arms and only one leg, had they known about his disabilities beforehand.

There’s not much more commentary that can be given on a judicial system that will award such a vast sum of money because a life was born (rather than murdered through abortion), and yet will let a man live who raped and murdered his 10-month-old stepdaughter. Imagine how you would feel if you were the child when you were old enough to comprehend that your parents preferred you to be killed, and they have a 4.5 million dollar check highlighting the intensity of that desire. Unbelievable.

31 MayThe Shack: A Critique, Part 2: Literary Considerations

Before we can rightly understand The Shack, it is important to understand the book within its literary framework. The book does technically fall within the genre that is commonly labeled “Christian fiction,” and therefore does, to an extent, carry with it certain literary implications. For example, being fictional, after having read the book, we do not expect to stumble upon the main character, Mack, when we visit the northwestern part of America. Also, we, to a certain extent, suspend our disbelief while reading the book, if only to help us endure the book to the end.

The Author and the Speaker
That said, more important than the genre into which The Shack falls is understanding how the author, William Young, sets up his work to be understood and how he desires it to be read. In the foreword to the book, we are given these parameters. The speaker introduces himself as the narrator of Mack’s story, a story that, according to him, invites skepticism for, “Who wouldn’t be skeptical when a man claims to have spent an entire weekend with God, in a shack no less?” (p. 9). The speaker in his foreword of Mack’s story, conveys to the reader his own supposed reluctance in believing certain aspects of Mack’s story, but, because of the character of Mack, gives Mack the benefit of the doubt.

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